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70年月,自然而然的,我更有兴趣地是记载一些我作为小女人,感兴趣的一些画面。大概忧伤,大概略带伤感,大概对另类糊口的幻象,大概偶然的苍茫那些小细节,小点儿,我用绘画的方法来表达各类感情。n简朴糊口的小女人n身世绘画家庭,顺遂考入川美国画系,事情,成婚后生子,阅历简朴、纯真,我也不善能言善道但有许多黑甜乡般的梦想。以是我画那些轻松的,相对来讲偏唯美一点儿的,更有设想的,那边没有血腥,没有暴虐,比理想更能吸引我由于我的阅历,我的糊口,以是我也不想决心去逢迎那些。没有领会的工具,以是比较小女人。对糊口完善主义的更多设想。n梦幻和理想中游走的小女人n如同糊口在漂泊中黑甜乡的我,对当下盛行文明和精英文明,对网游,对cosplay,对剧中的人物等等感兴趣。喜好梦想本人饰演差别的脚色,并游离于这些脚色,或老上海或黄角坪的街市糊口,或花仙子和阿童木,或羽灵或妖精,或陌头或T台。n总之工夫/所在,影象/影象的碎片,画中会有我的影子,由于那是我心里的世界。n

1970s, naturally, I was more interested in recording some of my little woman as some pictures of interest. Perhaps depression, perhaps slightly sad, perhaps alternative visions of life, and perhaps the occasional confusion of those small details, small point child, I used painting to express a variety of emotionsnA simple life in a small womannBackground painting family, painting successfully admitted to the United States Department of Sichuan, work, get married and have children, through simple, pure, and I can articulate poor but there are many dream-like fantasy, so I painted those easy, relatively speaking, a little aesthetic bias children, more imagination, there is no gore, no cruel, more attractive to me than reality because of my experience, my life, so I do not want to bother to cater to those. did not appreciate things, so relatively little woman. right More imagine living perfectionism.nFantasy and reality, little woman walkn

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